![]() There should be no “guilt crap to bog us down,” explains Wilson. It proclaims that the light of the creator is in each one of us. It maintains that all the races are one human race. This religious tradition seeks to integrate the best of all religions. ![]() ![]() Wilson remembers that the wedding was “a pretty glorious event.” He writes, “It was a bizarre and profound expression of our love-and a helluva lot of fun.” It was a quintessentially Schrutean event. After a salmon barbecue, the happy couple jumped into the icy river with their dog. Guests huddled around the flames as they wrote prayers and well wishes on pieces of paper and then placed them lovingly in the fire. Holiday’s father, who had been made a judge for the day by the county, married them.Īt the wedding reception, they built a fire. Wedding participants read the Bible, Baha’i prayers, Lewis Carrol, and other playwrights and poets. As the bagpipe crescendoed, Wilson pulled the raft to shore and helped her out onto the sandy bank. Guests were ushered in to the sounds of a bagpiper playing “Amazing Grace.” His fiancé Holiday Reinhorn, wearing white go-go boots and a white mini dress, was rowed down the river to the wedding by her father in a raft filled with flowers. Staged next to the Kalama River, the ceremony was something like a piece of downtown NYC performance art. Also like Schrute, Wilson, as depicted in his memoir The Bassoon King, is opaque, whimsical, and always entertaining.Ī quixotic, slightly outrageous wedding in the middle of the book nicely reflects Wilson’s vibe. Like Dwight Schrute, the eccentric “assistant (to the) regional manager” of Dunder Mifflin Paper Company, Wilson plays weird reed instruments. There are similarities between the actor Rainn Wilson and his eccentric character from the television show The Office.
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